雅思大作文话题：博物馆不再被需要 高分范文赏析

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　　Some people claim that public museums and art galleries will not be needed because people can see historical objects and works of art by using a computer. Do you agree or disagree with this opinion?

　　(题目来源：2019年11月16日亚太雅思大作文)

　　高分范文

　　I would certainly believe that the display of historical objects, or the fine art works via computers is not necessarily correlated with whether there is a true need for galleries and museums; irrationalities should be clearly seen in this claim myopically denying the usefulness of those public facilities.

　　In spite of the marvelous improvement in electronic visual inputs, the realization of visualizing exhibits through computer is not correlated to the function of museums and art galleries in reality. The prosperity of computing science does give rise to more opportunities in looking at shows in multiple ways: high definition photographs and videos can be gained easily with a digital single lens reflection camera; a 3-dimension model can be precisely composed via picture catching system; even the VR technology has already been introduced to increase the involvement of the online viewers. All these electronic revolutions, however, are not the reason for diminishing the practical use of physical exhibitions. The highly subjective opinion is largely flawed, due to the lack of deep thinking in this topic: is anything that is shown perfectly in computers meaningless in the physical world? Computers are playing a role of providing a new channel of displaying those things, but do not mean to replace their original presence. Under this way, more witnesses get access to what those relics, or works are, and that is also a reasonable means attracting more visitors to realize their experience for the exhibits in reality. Materials exhibited in museums or galleries, or even those architectures themselves, on the other hand, exist not only for being exposed to the visitors, but for their own values—they deserve a physical place manifesting their existence, histories, and the meaning to the world.

　　There are also practical reasons for museums and galleries being preserved by cities, in addition to the sensitive commitment aforementioned to their values. Museums or galleries are far beyond a storage room of antiques, relics or arts, but endued with a function of delivering cultures or contents behind those items of collections, through whose arrangement, the connotations and the significance of such showpieces can be conveyed to their audience—literatures and explanations are presented along with those things, and particular guidance is also used to extend deep knowledge to viewers. Experts involving in these heritage communications have also injected their personal logics in museums, and thus the shows are unique enough to attract their receivers to further their experiences. All these methods and arrangements cannot be realized just through cyber-services, since they can never bring the same visual inputs as the real exhibition halls. To the fine art, the significance or those galleries is much more obvious: it is the only way for the learners to truly sense the utterances, the performance or even the emotions of the artists that are not presented through the inane LED screens. The implication of paintings, drawings or sculptures is not just about the shapes or colors; details tell more about what is behind those works—only in the showrooms can spectators “taste” the material of the pigment, the surface reliefs, the brushworks or even the dust depositions unfolded on those great jobs done by the artists, all of which highlight the existential value of those venues.

　　In conclusion, it is the faulty causality suggested in the prompt that compels me to question the rationality of the claim, and I certainly believe that those exhibiting venues deserve their places in reality, no matter how well computers can do the same job.

　　相关词汇

　　Irrationality 不合理性

　　Myopically 天真地

　　Electronic visual inputs 电子视觉输入

　　Prosperity 繁荣

　　High definition 高清

　　Dimension 维度

　　Flaw 瑕疵

　　Presence 展示

　　Preserve 保存

　　Sensitive commitment 感性认可

　　Antique 古董

　　Connotation 内涵

　　Showpiece 展品

　　Cyber-services 网络服务

　　Utterance 指向

　　Inane 空洞乏味的

　　Showroom 展厅

　　Spectator 参观者

　　Pigment 颜料

　　Surface relief 表面纹理

　　Brushwork 笔触

　　Dust deposition 灰尘沉积

　　Existential value 存在价值

　　Compel 迫使

　　Venue 场地